Tuesday, September 25, 2007

"SHADOWS AND FOG" IMAGE GALLERY

Wayne Spitzer at 41. Coney Island, Brooklyn. New York City, 2007. PHOTO BY CHUCK SWANN

Wayne Spitzer appears lost in thought as Andy Kumpon talks to the duo's collaborator (Charles Harrison of the New York Film Academy) about a potentially momentous meeting. Manhattan, NYC, 2007. PHOTO BY CHUCK SWANN

Andy Kumpon in Times Square, Manhattan. New York City, 2007. PHOTO BY WAYNE SPITZER

Wayne Spitzer and Eric Gollinger pose for Shadows in the Garden promo stills in 2002. If they seem happy, there's good reason: they've just wrapped a grueling 6-month edit on the award-winning short. PHOTO BY DIANA KNEFF-SPITZER

Wayne Spitzer's finished sculpt of Sylkk's face (1999). PHOTO BY WAYNE SPITZER

Sylkk (Wayne Spitzer) gets a kiss from a pretty girl (Diana Kneff-Spitzer) during the filming of Shadows in the Garden (1999). PHOTO BY DAVID VOLTZ

So far, so good. Wayne Spitzer begins the delicate process of freeing the remaining half of the fiberglass mold of Sylkk's face from the clay original (1999). PHOTO BY DIANA KNEFF-SPITZER

Wayne Spitzer doesn't seem to mind not having a chair with his name on it while shooting a preliminary version of Don't Look Up (1996). PHOTO BY ERIN REED

Shadows in the Garden box art by Eric Gollinger and Wayne Spitzer.

Eric Gollinger juggles Last Stop Station's multiple audio tracks at the heat-impaired house on Boone (2000). PHOTO BY WAYNE SPITZER

Andy Kumpon isn't the sort of guy you disturb while working (2000). PHOTO BY WAYNE SPITZER

Wayne Spitzer lines up a shot for Don't Look Up (1996). PHOTO BY ERIN REED

Wayne Spitzer strikes his best intense-young-filmmaker pose while logging raw footage for Shadows in the Garden (1999). PHOTO BY DIANA KNEFF-SPITZER

Andy Kumpon and Wayne Spitzer at the 2002 Sundance Film Festival in Park City, Utah. The pair traveled to the fest with fellow filmmakers Eric Gollinger and Steve Samsel to see Last Stop Station at Tromadance, where they met with Lloyd Kaufman. PHOTO BY ERIC GOLLINGER

Wayne Spitzer and Eric Gollinger at Sundance 2002. PHOTO BY ANDY KUMPON

Andy Kumpon and Wayne Spitzer prepare to film a scene for Dead of Night (1996). The cameras were wired so that they could be started or stopped from within the car; the pair reviewed takes via the television monitor on the hood. PHOTO BY S-R.

Seth Brundle's teleporter has gone terribly awry! Wayne and camera have become...Spitzercam.
PHOTO BY ERIN REED

The legendary Wobblin' Goblin--Wayne's rolling "installation art" and only transportation during the Shadows & Fog years. PHOTO BY WAYNE SPITZER

Wayne and Diana at Mitch Tiner's S.C.A. gathering in 1999. PHOTO BY ANDY KUMPON